Classical insiders, like conductor JoAnn Falletta, have major issues with the film’s veracity, but they’re still fascinated.
A DVD of the new ballet shows its onstage brilliance in addition to being a great score.
Pierre-Laurent Aimard is back for a polished solo turn in Béla Bartók’s Second Piano Concerto.
Music Director James Conlon’s signature initiative branches out next season to include a production of William Grant Still’s Highway 1, U.S.A.
