Chamber Music

Michael Zwiebach - July 11, 2013

Sometimes it’s good to venture out to the boundaries, find out what’s going on on the wild side of music. The annual Outsound Festival of experimental and improvisational music is as good a time as any to do this exploration. 

Michael Zwiebach - April 30, 2013

Eos Ensemble, made up of members of the San Francisco Opera and Ballet Orchestras, celebrates their 10th anniversary with a Beethoven perennial, the Septet and Stravinsky’s laconic, darkly humorous Soldier’s Tale.

Michael Zwiebach - April 30, 2013

It has become a tradition for Chamber Music San Francisco to offer the Brandenburg Concertos on Mother’s Day weekend. 

Michael Zwiebach - April 10, 2013

The Ives Quartet has an interesting way of sandwiching the most novel or interesting piece between two standard masterworks. 

Michael Zwiebach - April 3, 2013

The Tokyo String Quartet formed in 1969 will have one set of its farewell concerts at Chamber Music San Francisco.

Michael Zwiebach - March 28, 2013

Some people don’t know when to quit, and sometimes that’s a good thing. 

Michael Zwiebach - March 28, 2013

New Century Chamber Orchestra is presenting a top-drawer concert that expertly mixes orchestra and chamber music, showcasing the versatility, that is the chamber orchestra’s trademark.

Michael Zwiebach - March 20, 2013

If you heard Handel’s Messiah at Grace Cathedral last December, you may be interested in the arrival of the New College Choir from Oxford, which sings J.S. Bach’s St. John Passion at Grace on Good Friday.

Michael Zwiebach - March 20, 2013

In his quest to illuminate the life work of Robert Schumann, the fascinating pianist Jonathan Biss has enlisted the Elias String Quartet to pair Schumann’s string quartet and piano quartet in E-flat, with Henry Purcell’s string fantasias. 

Michael Zwiebach - March 13, 2013

The Australian Chamber Orchestra and their dynamic leader, Richard Tognetti return  to Cal Performances for a wide-ranging pair of programs, featuring pianist Alice Sara Ott in Shostakovich’s Piano Concerto No. 1.