Level III extends the challenging program of music repertoire, musical concepts, and performing experiences. The expectations and personal responsibility of choristers are increased, the training is more intensive, and the rewards become more fulfilling. Choristers are exposed to an expanded three-part repertoire in two to three additional languages and more advanced concepts of choral singing are introduced. Choristers who work conscientiously in Level III should have little difficulty in progressing toward the standards that are required for advancement to Level IV.

Level II offers a greater diversity in individual attentiveness, repertoire, vocal skills, theory requirements, and performance demands. To enter Level II, choristers must demonstrate basic vocal and musical competence, and additionally they must master elementary sight-singing concepts and skills. At this level, choristers learn to be more confident and more independent in their work. Rehearsal concentration and performance demands are increased in Level II.

Level II offers a greater diversity in individual attentiveness, repertoire, vocal skills, theory requirements, and performance demands. To enter Level II, choristers must demonstrate basic vocal and musical competence, and additionally they must master elementary sight-singing concepts and skills. At this level, choristers learn to be more confident and more independent in their work. Rehearsal concentration and performance demands are increased in Level II.

Level I provides the foundation for progress and development in the Chorus School. Attention span and quiet concentration are a point of focus, as well as practice and development in vocal technique and theory. Working goals are aimed toward both areas: the need to learn important musical basics and the need to learn to work together as a group.

Level I provides the foundation for progress and development in the Chorus School. Attention span and quiet concentration are a point of focus, as well as practice and development in vocal technique and theory. Working goals are aimed toward both areas: the need to learn important musical basics and the need to learn to work together as a group.

Students are introduced to unison choral music and beginning vocal technique. Repertoire selection encompasses a wide variety of genres, including classical, folk, sacred, secular, and multicultural. Singers will take first steps in reading from a choral octavo, increasing their ability to read both words and music. Students build listening and memory skills through weekly practice, and develop confidence and stage presence in preparation for their final performance.

Students are introduced to unison choral music and beginning vocal technique. Repertoire selection encompasses a wide variety of genres, including classical, folk, sacred, secular, and multicultural. Singers will take first steps in reading from a choral octavo, increasing their ability to read both words and music. Students build listening and memory skills through weekly practice, and develop confidence and stage presence in preparation for their final performance.

The Concert Chorus is the most select group, regularly performing at civic events and San Francisco Opera productions, as well as producing CDs. The Chorus recently performed at the Swearing In Ceremony of the Inauguration of Barack Obama, 44th President of the United Stats of America, at the United States Capitol, Washington, DC.

The Intermediate Chorus (Level IV) is one step away from the semi-professional touring Concert Chorus and represents a chorister’s ability to sing consistently, clearly, and flexibly across his vocal range (soprano, soprano-2, alto). Choristers study and perform highly complex three-part literature with consonant and dissonant harmonies, reflecting their ability to hold a vocal part in 3-part harmony using a strong, focused sound and ability to read extended pentatonic melodies and passages.

The Intermediate Chorus (Level IV) is one step away from the semi-professional touring Concert Chorus and represents a chorister’s ability to sing consistently, clearly, and flexibly across his vocal range (soprano, soprano-2, alto). Choristers study and perform highly complex three-part literature with consonant and dissonant harmonies, reflecting their ability to hold a vocal part in 3-part harmony using a strong, focused sound and ability to read extended pentatonic melodies and passages.