Director Francesca Zambello’s durable production thrives on the strength of lead singers Eve-Maud Hubeaux and Jonathan Tetelman.
Connecting Aaron Copland’s Billy the Kid with the music of Black cowboys started Downes on a journey that she’ll share in this concert.
The filmmaker’s new documentary is his first on a non-American subject and his first to feature an original score.
The composer and bassist is at SFJAZZ this week playing music off her first album and more.
The little-known mid-20th-century Russian composer gets the spotlight in an unusual concert from Other Minds.
Dancing plays a prominent role in this production, whose revival marks McNamee’s directorial debut with the company.
Cann, who debuts with the SF Symphony this week, talks about discovering Price and jazzing Rhapsody in Blue.
A new film shows how Music Director Eun Sun Kim and the entire company handled the massive undertaking of staging Wagner’s Lohengrin.
Flutist and composer Rachel Beetz shares her latest works and improvisations.
Zimmerman conceived her latest show, The Matchbox Magic Flute, the same way she developed many of her hits.
