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Played simultaneously on a rotating turntable, the double production invites speculation on power relations and much more.

In a program of concertos and showpiece arias, VoM has two powerhouse soloists in violinist Augusta McKay Lodge and soprano Amanda Forsythe.

The annual week of concerts and workshops led by the Resonance Collective offers singers the opportunity to experiment.

Lisa Mezzacappa and Beth Lisick’s The Electronic Lover captures the world of emotions that can exist in the chat room.

Amid transitions in management and leadership, PBO’s upcoming season sees four guest conductors auditioning for the post of music director.

Music Director Mitsuko Uchida uses her Mozart chops to program a festival that, as usual, is wonderfully out of the ordinary.

Opera Parallèle stages Spears’s Fellow Travelers this month, while Santa Fe Opera is set for the world premiere of The Righteous later this summer.

Grant draws on years of musical mastery in his exploration of the ensemble that pioneered jazz-classical fusion.

In the director’s latest opus, a vintage W.E.B. Du Bois story and a classic Baroque opera collide. Here’s why they go together.

Irene Young was instrumental in documenting an artistic moment, but her work shouldn’t be restricted to a single time or place.