Jeremy Pelt, widely recognized as one of the preeminent young trumpeters within the world of jazz, will perform at CJC in April, with a concert on both Friday and Saturday, April 12 and 13, in Rendon Hall. Pelt will also conduct a masterclass on Saturday, April 13, in Hardymon Hall.
Band Members
Jeremy Pelt – Trumpet
Edward Simon – Piano
Jeff Denson – Double bass
Gerald Cleaver – Drums
Jazz Masterclass
Pelt will also conduct a masterclass on Saturday, April 13, in Hardymon Hall.
Artist Bios
Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre’s greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby “Blue” Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson and The Skatalites, to name a few. Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues. Pelt’s recordings and performances have earned him critical acclaim, both nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is currently touring throughout the United States and Europe in support of his latest release, “Soundtrack”.
Edward Simon a native of Venezuela, has made a name for himself over decades in America as a jazz improviser, composer-arranger and band leader, with his profile heightening in recent years as he has explored the commonalities jazz can have with the folkloric sounds of Latin America. JazzTimes summed up his impact this way: “Simon is less talked about than many other important jazz pianists from the Caribbean and South America, but he may be the most complete creative artist among them.” Based in the San Francisco Bay Area as a member of the all-star SFJAZZ Collective, he has been a Guggenheim Fellow along with being awarded multiple composition grants as part of the Chamber Music America’s New Jazz Works initiative. Simon, a Yamaha artist, has recorded 15 albums as a leader or co-leader; his latest is Sorrows and Triumphs, released via Sunnyside Records in April 2018. This follows Simon’s 2016 album Latin American Songbook, with the four-and-a-half-star DownBeat review praising its “grand and sophisticated” sound. Latin American Songbook also won Simon an NAACP Image Award for Outstanding Jazz Album. The New York Times has praised Simon’s “light, warm touch” as a pianist, while Jazz Journal International singled out “his deep emotional statements” as a composer and improviser.
Jeff Denson is an award-winning bassist, vocalist, and composer who has released 16 albums as a leader or co-leader and toured extensively throughout the US, Canada, and Europe with both his own groups and others at some of the world’s most prestigious venues and festivals such as the Village Vanguard, Birdland, The Kennedy Center, JVC Jazz Festival Paris, Montreal Jazz Festival, Berlin Jazz Festival, and SFJazz, among many others. Jeff has worked with some of jazz’s finest artists such as Brian Blade, Joe Lovano, Chris Potter, Mike Stern, Charles McPherson, Billy Childs, Jane Ira Bloom, Craig Handy, Ingird Jensen, Dave Douglas, Walter Smith III, Kendrick Scott, Rachel Z, Omar Hakim, Gerald Cleaver, Anat Cohen, Warren Wolf, Leo Genovese, Etienne Charles, Edward Simon, Paul McCandless, Cuong Vu, Ralph Alessi, Dan Weiss, Lionel Loueke, Paul Hanson, Romain Pilon, Mimi Fox, and many others, and had an ongoing relationship with the legendary Lee Konitz for over a decade until his passing in 2020. Jeff’s work has been reviewed in many of the world’s leading periodicals including The New York Times, Washington Post, San Francisco Chronicle, along with many more international periodicals, and has been ranked in the DownBeat Rising Star Critic’s Poll 13 times in the Bass, Electric Bass and Male Vocalist categories, and was the First Place Winner of the 69th Annual DownBeat Magazine Rising Star Critic’s Poll for “Electric Bass” in 2021. Jeff is the Founder and President of Ridgeway Arts, Inc., a 501c3 arts nonprofit organization and the Dean of Instruction at the CJC. Learn more at jeffdenson.com
Gerald Cleaver born May 4, 1963 and raised in Detroit, Gerald Cleaver is a product of the city’s rich music tradition. Inspired by his father, drummer John Cleaver, he began playing the drums at an early age. He also played violin in elementary school, and trumpet in junior high school and high school. As a teenager he gained invaluable experience playing with Detroit jazz masters Ali Muhammad Jackson, Lamont Hamilton, Earl Van Riper, and Pancho Hagood. While attending the University of Michigan as a music education major, he was awarded a Jazz Study Grant, from the National Endowment for the Arts, to study with drummer Victor Lewis. He graduated in 1992 and began teaching in Detroit where he worked with Rodney Whitaker, A. Spencer Barefield, Marcus Belgrave, Donald Walden, Wendell Harrison, and with visiting musicians Hank Jones, Tommy Flanagan, Barry Harris, Kenny Burrell, Frank Foster, Cecil Bridgewater, Ray Bryant, Eddie Harris, Dennis Rowland, Howard Johnson, Diana Krall and Don Byron. In 1995 he accepted an appointment as assistant professor of Jazz Studies at the University of Michigan, and in 1998 also joined the jazz faculty at Michigan State University. Cleaver leads the bands Violet Hour, NiMbNl and Uncle June.
Proof of vaccination is no longer required for Covid-19. Masking is optional and masks are available upon request. The California Jazz Conservatory kindly requests that anyone feeling unwell refrain from attending in-person events of any kind.
This concert is sponsored by JAMBAR