Victoria Looseleaf

The Walnut Creek company is staging Francis Poulenc’s La voix humaine in dialogue with Henry Purcell’s Dido and Aeneas.

The annual week of concerts and workshops led by the Resonance Collective offers singers the opportunity to experiment.

In the director’s latest opus, a vintage W.E.B. Du Bois story and a classic Baroque opera collide. Here’s why they go together.

The legacy of one of the Bay Area’s most famous instrumentalists, Ali Akbar Khan, is celebrated in a special performance featuring his sons.

With “Shifting Ground,” a commissioning and recording project, Kenney is approaching Baroque music as the start of something contemporary.

Thomas is set to premiere Fire and Blue Sky, a song cycle written for him by composer Joel Thompson and poet Imani Tolliver.

Achinta S. McDaniel’s dance piece about the effects of the pandemic lockdown finds ghostly parallels in the museum’s Victorian architecture.

Trio Azura takes home the grand prize, as well as honors in just about every other category.

Faliks talks about her memoir, Weight in the Fingertips, and her latest album, Manuscripts Don’t Burn — the subjects of her current tour.

You’ll be able to catch everything from full productions to pieces in progress during the Opera America conference next month.