Steven Winn

Acclaimed director Mary Zimmerman has adapted the classic opera in a production of captivating charm that feels both familiar and fresh.

Superb singing from the chorus and vocal soloists can’t entirely carry this performance of the symphony under Music Director Eun Sun Kim.

This season, the orchestra is bringing smaller-scale performances to a venue it’s never played before.

Soloist Sayaka Shoji partners with conductor and orchestra for a scorching performance of the Russian composer’s Violin Concerto No. 1.

Superstar pianist Lang Lang joins the orchestra in a colorful, crowd-pleasing program, at odds with the tensions mounting within the organization.

The company’s 102nd season is off to a grand start with this well-staged and well-sung production of Verdi’s historical drama.

A couple of standout artists from the 2024 class of the Merola Opera Program shine bright in this season-ending showcase.

The cellist’s brief but brilliant career is captured in soprano Marnie Breckenridge’s stunning performance for West Edge Opera.

Performances of Messiaen’s Quartet for the End of Time and George Crumb’s Black Angels highlight the final festival program.

The company’s current production of Otto Nicolai’s 1849 singspiel might have just a little too much of everything.