Michael Zwiebach

Blanchard’s first opera gets an online revival.

There’s a wealth of great music a couple of keystrokes away thanks to the Conservatory’s new initiative.

Partnering with the San Francisco Symphony, SFCM creates a groundbreaking commissioning program, as well as other inclusion measures.

UC Davis’s arts presenter is in tune with its audience.

West Edge Opera comes up with another program to foster new works, creativity, and inclusion during our season of discontent.

The composer/performer has had a turbocharged 2019–2020, while being on the same roller coaster as the rest of us.

Stiff upper lip, never say die, and keep your ears peeled and your eyes on the keyboard.

Four conductors discuss their experiences, views on orchestral culture, and whether things are getting better.

Stacy Garrop’s The Battle for the Ballot gets a world premiere in 2020 despite the lockdown and the dispersal of Cabrillo’s orchestra across the U.S. It’s just that important.

They may be small, but online they are mighty. This webinar is being taught by old hands in creating online content.