Jim Farber

The L.A. Philharmonic’s excellent performance of the Verdi Requiem was very nearly brought down by the slip-ups of an overmatched video crew.

The L.A. Philharmonic presentation of Marriage of Figaro combines dramatic intensity and social commentary with music-making at a level that could only be described as sublime.

Musopen, the Palo Alto–based website, is pioneering the new frontier in classical music starting by creating a free resource of recordings.

Swedish virtuoso Martin Fröst not only swings on the clarinet, he sometimes dances. Plus, he once got to play Benny Goodman’s own licorice stick.

Four days of musical pleasures by visiting luminaries await voyagers to the Ojai Music Festival in June.

A young Russian-born pianist wins awards, emigrates to the West, concertizes widely, and teaches music at a prestigious school — all in a day’s work.

Los Angeles Philharmonic regulars and visitors might be unaware of it, but the best of L.A.’s adventurous contemporary arts scene is happening right beneath their feet.

Long Beach Opera’s politicized version of Astor Piazzolla’s surreal “tango operita,” Maria de Buenos Aires treads a fine line.

In the top ranks of violinists, he continues to find Bach greatly pleasurable. But he has someone else teach the instrument to his children.

L.A. Philharmonic’s president and CEO speaks about grappling with change, securing loyal audiences, and serving the community.