Jason Victor Serinus

Jason Victor Serinus regularly reviews music and audio for Stereophile, SFCV, Classical Voice North America, AudioStream, American Record Guide, and other publications. The whistling voice of Woodstock in She’s a Good Skate, Charlie Brown, the longtime Oakland resident now resides in Port Townsend, Washington.

Articles By This Author

Jason Victor Serinus - September 30, 2008

If you only know Erich Wolfgang Korngold's Die tote Stadt (The dead city) from its unforgettably haunting duet, "Gluck, das mir verblieb" (Joy, sent from above), prepare to be stunned. That gorgeous melody, sometimes referred to as "Marietta's lied," is one of the few moments of lyrical repose in an otherwise astoundingly lush, powerhouse score in which protagonists and orchestra vie for first place in both volume and impact.

Jason Victor Serinus - September 9, 2008
Welcome to the Angela Gheorghiu Show! I make three costume changes, one of which leaves precious little to the imagination. To complete the spectacle, I present two radically different hairdos designed to set off my runway model figure and beautiful countenance. And for this special occasion, the entire San Francisco Opera Orchestra accompanies me, conducted by Marco Armiliato.
Jason Victor Serinus - August 26, 2008
Bless San Francisco Lyric Chorus' collective heart for programming heavenly music during the worst of summer's classical concert lull. While Lord knows how many singers and musicians were hiking Yosemite, SFLC's music director, Robert Gurney, took his musicians on a trek to the firmament.
Jason Victor Serinus - August 12, 2008
"May I ask which paper you're writing for?" asked the lovely gray-haired woman during intermission on Sunday afternoon. First I explained that I was reviewing for the only classical music review–rich publication in the Bay Area, San Francisco Classical Voice, as well as American Record Guide.
Jason Victor Serinus - August 5, 2008
It was a very San Francisco affair. This is, after all, an area where no urban sophisticate blinks an eye when a photo of three leather-clad, motorcycle-mounting Barbies graces the cover of The San Francisco Chronicle's Pink Section.
Jason Victor Serinus - July 29, 2008
It goes without saying that the Cabrillo Festival is going to win next year's ASCAP annual award for the most Adventurous Programming of Orchestral Music by a festival. It has won every year since the award was initiated in 1982. Some might argue that winning the ASCAP award does not signify cutting edge programming.
Jason Victor Serinus - July 29, 2008
Suffering hath no season. Perhaps that’s why, on a beautiful summer’s day just warm enough for short sleeves, the Carmel Bach Festival programmed baritone Sanford Sylvan performing, in shirt sleeves, Schubert’s chilling song cycle, Der Winterreise (Winter’s journey). It was no small challenge, on such a lovely day, to conjure Schubert's bare, desolate, emotional landscapes.
Jason Victor Serinus - July 22, 2008
Benjamin Britten's opera Albert Herring is something of a miracle. From the pen of a composer inclined to Christian moralizing and examining the dark underbelly of the human psyche came, soon after Peter Grimes, this delightful chamber opera, which poked fun at tight-buttoned British moralists and celebrated the free expression of human passions.
Jason Victor Serinus - July 15, 2008
Long before composer Philip Glass' latest bevy of fans alighted on Planet Earth, scores of people filled Radio City Music Hall to witness the 1982 premiere of Godfrey Reggio's multiple award-winning film, Koyaanisqatsi.
Jason Victor Serinus - June 10, 2008
The setting is as monumental as it is humbling.