St. Martin de Porres is a small parochial school in North Oakland. It is named for a 17th-century Dominican brother from Peru who was famous for establishing orphanages and children’s hospitals. He was canonized in 1962.
St. Martin de Porres is a small parochial school in North Oakland. It is named for a 17th-century Dominican brother from Peru who was famous for establishing orphanages and children's hospitals. He was canonized in 1962. St.
David Sloss and the Fremont Symphony proved last weekend that the rave review for the Fremont Opera's inaugural production of La Bohème last year was not the result of a fluke.
Musiciens Sans Frontières have arrived, musicians without regard to genre frontiers, courtesy of the Wordless Music Series, which premiered at Herbst Theatre on Thursday.
On the one hand, regional pride is raising its ugly head: We don't need no stinkin' "New York new music" to enliven our concert life.
The wistful lyrics from West Side Story must have had a special meaning for David Gockley as he contemplated the lack of appropriate performance venues in the city. It was a couple of years ago, and Gockley had just arrived as the new general director of San Francisco Opera.
There are few plays as firmly in charge of their own stage destiny as Shakespeare's Midsummer Night's Dream. It's all in the text, of course, but also in the style of the piece, with its shimmering, playful way of intermingling spirits and mortals. Significant alteration is not really feasible, so writers and composers must follow Master William's playbook.
Music@Menlo's survey of music history arrived triumphantly at 20th Century Unlimited over the weekend. Program IV, "The Rise of Modernism," shone with rousing performances of Debussy, Stravinsky, Gruenberg, Ives, Britten, Prokofiev, and Shostakovich. The sold-out house in St.
Few rock concerts are as eventful as the Wagner-Mozart-Bach presentation at Festival del Sole last Thursday turned out to be. The news included the disruptive effects of a Presidental visit and roadblock, a serious injury to the conductor/violinist the day before the concert, and a near-catastrophic memory lapse by the pianist.
Unusual as it may be to mention the economy and other seemingly extraneous items right at the top of a concert review, the unusual nature of said economy (and its relationship to the arts) well warrants doing so here.
First impression Saturday at the beginning of the third season of Festival del Sole in Napa: a full Lincoln Theater, the cavernous space filled probably more than at previous gala op