Janos Gereben

James Conlon is one of the finest conductors around, and he is also a maverick presenter of unusual programs. And so it was expected that he would bring something different to his current appearances with the San Francisco Symphony (which he first led 32 years ago), and he did not disappoint.

If no weapons are involved, next time I am facing a gang in a dark alley, I want Gabriel Manro on my side. Making his debut here, in the West Bay Opera’s sensational production of Verdi’s La Forza del Destino, Manro is a new kind of baritone: not lyric, not helden, not Kavalier, not Bariton-Martin — none of those. Rather, he’s a knock-down baritone.

A formerly internal rift between several California Symphony board members and Music Director Barry Jekowsky opened wide enough this week to swallow up the 24-year-long relationship between the orchestra and its founding maestro, the man who put the organization on the country's musical map.

Richard Thomas' Jerry Springer the Opera is a multiple award-winning, much-praised work, developed with the support and participation of Cameron Mackintosh, Andrew Lloyd Webber, Nick Hytner, and other notables.

It finally made its profane, foul-mouthed, offensive and hilarious entry last weekend in a big, spectacular Ray of Light Theater production at the Mission's Victoria Theater, the beginning of a five-week run.