San Francisco

The soprano introduces us to several lesser-known female composers and a fine Symbolist poet with this recording.

Bradley Cooper’s new film will see Hollywood once again turning to classical music for drama and intrigue.

Photographer Richard Misrach talks about how his collaboration with King and LINES Ballet came about.

It’s a modern-day Rhapsody in Blue, the perfect recording project for the superstar pianist and Abrams’s Louisville Orchestra.

The company’s Digital Shorts, still available for viewing, brought together major-name creatives to invent 10-minute operatic films.

The Bay Area ensemble for disabled, nondisabled, and neurodivergent dancers has a list of achievements in the past year to celebrate.

As wonderfully as Giacomo Puccini’s opera has been served in the studio, this Warner Classics release is up there with the best.

The veteran broadcaster chats with SFCV about his new podcast project, which explores the Black experience in classical music.

The newly minted Grammy Award winner delivers a remarkably polished set at The Soraya.

With James Conlon conducting a sensitive account of the score, and a fine cast to boot, there is no mystery to the success of this production.