It’s all bright on the surface, but Mark Morris’s sprightly play on perky, mid-century musical tropes has a darker side, too.
The power trio braids strands of music, history, sociology, and culture into a spiritual whole that transcends easy categories.
The jazz singer demonstrates her skill at excavating hidden depths in her material, and she does it all with swing and panache.
Pianist Natasha Paremski brings grace to a Rachmaninoff concerto.
The lauded choreographer wraps a year as artist-in-residence at Grace Cathedral with three powerful “offerings” danced in the church’s nave.
The SF Girls Chorus was on hand to embody that assertion.
Conductor and orchestra up their game in music by Hindemith, Schoenberg, and Kurt Weill.
The French guitarist is a rising star in the six-string world, sporting impressive chops and a diverse repertory.
All things coffee percolate through the all-Bach program as PBO’s music director-designate flexes his considerable harpsichord chops.
It’s a trek from downtown, but the venue’s superior acoustics prove perfect for the chamber orchestra’s wide-ranging concert.
