Reviews

Robert P. Commanday - June 6, 2011

As shown in Götterdämmerung, Francesca Zambello believes that the entire Ring drama can shine the light on the women.

Jason Victor Serinus - June 6, 2011

In a magnificent performance as the Götterdämmerung Brünnhilde, Nina Stemme stands as a Wagnerian goddess amid an exceptional cast.

Rachel Howard - June 1, 2011

In a rare Bay Area appearance, the Royal Danish Ballet performs La Sylphide, a template of tragedy in the ballet canon: woman idealized, then destroyed.

Michelle Dulak Thomson - May 31, 2011

In Washington State, the Icicle Creek Piano Trio makes its repertoire sound natural, but almost too easy.

Robert P. Commanday - May 31, 2011

An unknown sacred work by Antonio Vivaldi receives its Bay Area debut, voiced by Chora Nova.

Janos Gereben - May 30, 2011

John Adams is baaaack in his “fun chamber,” with a spirited, quasi-redux chamber symphony that pulsates with joy.

Robert P. Commanday - May 30, 2011

Despite some regrettable directorial and production choices, S.F. Opera’s Siegfried still delivers strong characters that are very well sung, backed by first-class playing from the orchestra pit.

Jeff Kaliss - May 30, 2011

The gorgeous music of legendary jazz saxophonist John Coltrane enchants an outdoor crowd at Yerba Buena Gardens.

Jason Victor Serinus - May 30, 2011

In a stark production strong on violence and collapse, the San Francisco Opera delivers a powerful Siegfried distinguished by a superb Brünnhilde, Mime, and Forest Bird.

Matthew Cmiel - May 24, 2011

Julia Wolfe's latest CD Cruel Sister is yet another example of how spellbinding and consistently engaging the composer is, this time in works fueled by a powerful story.