Reviews

David Bratman - October 9, 2012

The always-intriguing Ives Quartet plays a quirky Cowell work, an emotionally gritty Smetana, and an ethereal Haydn.

Jeff Dunn - October 8, 2012

Bohemians in Paris populate Livermore Valley Opera’s lively, well-sung production of the Puccini classic.

Jason Victor Serinus - October 7, 2012

In their concert British tenor Mark Padmore and American pianist Jonathan Biss fused words and music in a supreme partnership that conveyed emotions with transcendent, eye-opening profundity.

Jeff Dunn - October 6, 2012

Paul Dresher’s invention, the quadrachord, posed unanswered questions in a concerto that showed off the composer’s considerable gifts.

David Bratman - October 6, 2012

Performance, conducting, and solos impress at the San Francisco Symphony in a program that was intricate, complex, and pulled-off with elegance.

Janice Berman - October 6, 2012

Launching its season with terrific dancers and successful explorations of new repertory, Smuin Ballet appears poised to climb to a higher level in the regional ballet firmament.

Michelle Dulak Thomson - October 5, 2012

Dipping into later-than-real-Baroque territory, Philharmonia Baroque clearly loves to perform Brahms Serenades, which it plays as if living in the style of his era.

Georgia Rowe - October 5, 2012

Philharmonia Baroque essays Henry Purcell’s rarely performed Dioclesian, a semi-opera chockful of stories of love, lust, and politics, all dressed in splendid music.

Be'eri Moalem - October 3, 2012

The Cypress Quartet embraces music that’s both beautiful and original, in new and recent works that respond to classic composers.

David Bratman - October 2, 2012

The California Symphony tests another guest conductor, Robert Moody, who makes the music flow with a sense of purpose.