Reviews

Ken Iisaka - February 6, 2013

A faculty quintet at the S.F. Conservatory offers a tantalizing hearing of musical style and technique typical of the 19th century.

Brett Campbell - February 6, 2013

The Alarm Will Sound chamber group links up with multitalented composer Derek Bermel for a collaboration that intriguingly breaks down all sorts of walls.

Niels Swinkels - February 4, 2013

The period ensemble New Esterházy Quartet revives music by a prolific Viennese composer/publisher, one Franz Anton Hoffmeister.

Molly Colin - February 3, 2013

Two acclaimed dance ensembles, from San Francisco and Chicago, blend their talents and creative visions.

Janos Gereben - February 3, 2013

The Lamplighters production of one of Gilbert & Sullivan's finest productions ever, Princess Ida, has no weak link, a properly lighthearted approach, brought out by hard work and great talent.

Georgia Rowe - February 3, 2013

Under General Director Mark Streshinsky, the company scored another hit with a new production of L’incoronazione di Poppea (the Coronation of Poppea).

Jason Victor Serinus - February 2, 2013

A performance by Cappella Romana at Bing Hall is capped by an astounding and mesmerizing finale.

Thomas Busse - February 1, 2013

At an S.F. Contemporary Music Players’ concert, Steve Reich’s music became the sum of its electronic amplifiers, rather than its parts. Is there a way to tame this problem?

Jeff Dunn - February 1, 2013

Charles Dutoit guest conducts, with mixed success, two works of French composers evoking Spain, plus an Elgar work mystifying Britain.

Edward Ortiz - January 31, 2013

A standout ensemble from Chicago, Axiom Brass, makes a sterling West Coast debut, performing challenging and rewarding works.