Reviews

Jonathan Berger and Dan O’Brien’s double-bill world premiere of Theotokia and The War Reporter takes advantage of Bing’s architecture and overly resonant acoustic for ... hallucinations.

The young Briton Benjamin Grosvenor brings vividly to mind a piano artist’s pursuit of perfection.

Garanča’s art song recital in acoustically superior Weill Hall, confirmed her reputation as one of today’s leading mezzo-sopranos, though at times she stayed in her comfort zone.

Refined musicianship and enviable technique are hallmarks of pianist Richard Goode, who plays historically linked late works by Beethoven.

Bass-baritone Philippe Sly, despite a range of gifts, may have aimed too high to suit his repertoire to his present capabilities.

Colorful exoticism and vivid stage values make West Edge Opera’s new opera about painter Paul Gauguin a marvel for all the senses.

A varied program and additional school audiences highlight the SFS Chamber Music Series in Davies Symphony Hall.

Vadim Repin's recital at Weill Hall demonstrates his technical flair and artistry in a program that is perfectly suited to his gifts; showcasing a master storyteller composer such as Janáček.

The six-year-old Jewish Music & Poetry Project performed an evening of music to Jewish women’s poetry or by Jewish composers in Old First Church.

A venerable British choir sings sublimely, but puzzles its audience at Stanford by program and presentation decisions.