Cellist Matt Haimovitz suits the age-of-anxiety mood of Philip Glass’ cello concerto, based on his movie score and recently expanded to concerto dimensions.
Mark Morris demonstrates, once again, that he has quite an ear in the presentation of (the world premiere) Spring, Spring, Spring and Mosaic and United, one of his best pieces.
The San Francisco Opera's lovely production of Così fan tutte has so many near-perfect aspects that its light continues to shine long after the curtain has closed.
This Norma may confound expectations, but the finesse, sincerity, and depth that Bartoli brings to the role will stay with you long after the recording’s authentic novelty has subsided.
The S.F. Opera production of Tales of Hoffmann astounds on many levels: the production, stellar cast, and direction combine for the most imaginative, creative, and energetic versions you're likely to ever see.
