Opera Parallèle’s Trouble in Tahiti is brought to life by an excellent cast and fine instrumental ensemble, and shines as the engaging, moving, and oft-delightful romp that Bernstein intended.
Virtually a year after releasing their delicious recording, Los Pájaros Perdidos, Christina Pluhar and her early music ensemble, L’Arpeggiata, journey to the Mediterranean.
The return of the Alvin Ailey American Dance Theater for its second engagement at Zellerbach Hall since Robert Battle took over the artistic directorship is, to judge from Tuesday’s opening, a rip-roaring audience success.
After two widely touted triumphs at the Bavarian State Opera, the gifted ball of smiling Irish energy known as mezzo-soprano Tara Erraught performs at Weill Hall in the Green Music Center.
The Cypress String Quartet “Call and Response” has come full circle, commissioning new works for long enough that is has come around to composer Jennifer Higdon for the second time.
A fascinating moment in the Ives String Quartet’s concert is the last movement of Lou Harrison’s Quartet Set Usul; a case-study in string literature monophony.
Alonzo King Lines Ballet throws itself an elegant, if late, 30th-anniversary celebration, with a work in collaboration with virtuoso Edgar Meyer central to the occasion.