Reviews

After some distressing news for the organization, the show goes on at the Peninsula Symphony, in a joint concert with the Masterworks Chorale, directed by Bryan Baker.

Alonzo King Lines Ballet performs two works, one of which is inspired through line, poetry, and writing; all incorporated into the choreography.

A combined effort from the choruses of San Francisco Opera and Italy’s Teatro di San Carlo di Napoli produces a powerhouse performance of Verdi's Requiem.

A visit from the Nederland Dans Theater, ecstatically received on opening night, featured dancers that can handle any style, mood or mode, even in pursuit of the same theme — memory and regret — in each of two ballets.

Edgar Allan Poe himself enters the doomed mansion of the Usher family, in Gordon Getty’s canny setting of the famed story, heightening the dramatic impact.

The Flying Dutchman has highlights in the chorus and outstanding male leads, but the elements that anchor this Wagnerian opera and its spectural ship are still at sea.

Prominent pianist Jon Nakamatsu brings home to the South Bay his expressive takes on Schumann, Schubert, and Chopin.

Les Violons du Roy and soloist Stephanie Blythe performed at full throttle in their Cal Performances concert, but without enough finesse or delicacy

Sometimes playing from memory, several Latin American ensembles stood out at a chamber music festival.

In the second of three concerts in their season-opening Salon Series weekend, the Cypress String Quartet looked comfortably at home at SFJazz.