Reviews

The London Haydn Quartet, expert interpreters of the First Viennese School repertoire, manage to shrink the largess of Davis Hall in Mondavi to chamber size.

A Salute and Birthday Party for Gordon Getty tribute by the S.F. Symphony and Chorus has the bubbly sweetness of a generous celebration.

In the San Francisco Chamber Orchestra's warm-hearted year-end program, "The Virtuosi," musical fireworks brought a happy new year a few days early.

Someone New, the latest CD from the men of Chanticleer, is both yummy and filling.

In his centenary year, Benjamin Britten’s string quartets are winning a lot of attention, and clearly aren’t only for Brits.

17th-century music specialists Magnificat returned to the stage with a splash in a beautiful recreation of a Christmas mass.

Taking audiences on a delightfully fresh musical journey with a 271-year-old oratorio, Philharmonia Baroque Orchestra and Chorale hit all the right notes.

A repurposed organ debuts at UC Berkeley, with Davitt Moroney at the console, backed by the University Symphony Orchestra.

Raising bright seasonal sounds, S.F. Choral Artists team with The Whole Noyse for a superb concert of Renaissance-era Italian music plus two premieres.

The S.F. Conservatory of Music’s New Music Ensemble served up a tantalizing program of nibbles from Kirke Mechem’s 1980 opera Tartuffe, with enough music and artistry to convey a tantalizing sense of the whole.