Reviews

Rachana Vajjhala - March 13, 2014

Though a mite repetitive, Squid, Inc.’s playful set at Berkeley’s Freight & Salvage was full of unconventional pleasures.

Niels Swinkels - March 11, 2014

The ever-elegant Philharmonia Baroque Orchestra probes some lesser-known composers from the 17th and 18th centuries, to the usual grand effect.

David Bratman - March 11, 2014

The superb Vienna Philharmonic, with substitute conductor Andris Nelsons, outdoes itself with Mozart, Bruckner and Josef Strauss, even in the acoustically deficient Zellerbach Hall.

Maggee VanSpeybroeck - March 10, 2014

The depths of war and the heights of peace are explored in a wide-ranging concert by the vocal ensemble Volti, under Robert Geary’s expert direction.

Jason Victor Serinus - March 10, 2014

A joint recital by Leah Crocetto and David Lomelí at Weill Hall offers a golden opportunity to preview what the rest of the opera world can look forward to from the stars.

Be'eri Moalem - March 10, 2014

With some Brant, Prokofiev, and Berlioz, the S.F. Symphony readies its repertory for an extensive European tour.

Niels Swinkels - March 4, 2014

 A great ensemble visits San Francisco for the first time and leaves listeners swooning.

Jason Victor Serinus - March 4, 2014

On four releases: The windswept visuals of the new DVD of Peter Grimes are real on a Britten DVD; plus: three must-hear voices, Olga Peretyatko, Meredith Monk, and Christiane Karg.

Jeff Dunn - March 3, 2014

In a performance full of musical suspense Yuri Temirkanov and his Saint Petersburg Philharmonic demonstrated that their musical cards are all aces.

Steven Winn - March 3, 2014

The 5-year-old Hot Air Music Festival’s burgeoning abundance was evident in all the music on tap; old and young alike experiencing the unrivaled charge of new music heard live.