Reviews

Jason Victor Serinus - February 24, 2014

Schwabacher Debut Recitals are tricky business; singers can be challenged to explore a range of colors and depth of intimacy to which their still-developing technique may not be ideally suited.

Steven Winn - February 24, 2014

The American Bach Soloists, conducted with excellence by Jeffrey Thomas program works that demonstrate Bach's mastery of "parody" — making things old new again.

Rachana Vajjhala - February 24, 2014

For a young ensemble, the Escher Quartet plays with exceptional sensitivity and refinement.

Be'eri Moalem - February 23, 2014

The S.F. Chamber Orchestra's presents Stravinsky’s L’histoire du soldat and Stephen Saxon’s Luck or Wisdom? as a musical meditation on human fate.

Janice Berman - February 21, 2014

The S.F. Ballet launched its second mixed bill of the season with a tasty buffet that included Natalia Makarova's La Bayadère included Christopher Wheeldon’s Ghosts and Yuri Possokhov’s Firebird.

Janice Berman - February 20, 2014

Program 2 at the S.F. Ballet moves from a rather rote Tears onto delight in From Foreign Lands and a radiance in Borderlands

Jeff Dunn - February 18, 2014

Techno savvy Composer Machover streams a “worldwide” opera <em>Death and the Powers</em>.

Edward Ortiz - February 17, 2014

At Mondavi Center, cellist Jay Campbell and accompanist Conor Hanick present works that stand on their own, without reference to musical history and influence.

Steve Osborn - February 17, 2014

A fuller than usual crowd gathered for the Santa Rosa Symphony concert on Sunday afternoon. One reason may have been the "Sons of the Fjord" program.

Jason Victor Serinus - February 17, 2014

The glory and grandness of Puccini and the heart-rending Butterfly of Cecilia Violetta López is on display at the Opera San José.