At the S.F. Symphony program staples are elevated — especially a concussive, ravishing, startling and altogether convincing Rachmaninov Rhapsody when performed by Daniil Trifonov.
The Royal Philharmonic Orchestra, with Pinchas Zukerman as conductor and violin soloist, goes all-Beethoven in its San Francisco outing, to admirable effect.
The Lamplighters Die Fledermaus is fresh and lively, crisply paced by the Conductor George Cleve and Director Barbara Heroux, showcasing the singing, and this cast was on top of its game.
Again showing its unity of purpose and overall grace, the American Bach Soloists perform a concert of rejoice and celebration, while praising seven of its longtime members.
In a double program the Takács Quartet took on all six string quartets by Béla Bartók, a canon in modern music that couldn't be more intimidating, gnarly, and downright difficult.
In the first of two Cal Performances recitals, pianist Emmanuel Ax, with mezzo-soprano Anne Sofie von Otter, gave a wide-ranging account of Brahms’ lieder, accompanied by two world premiere works.
The Marin Symphony’s “American Dream” program, which featured music and Noah Griffin reading King’s stirring words, for results that were excellent and powerful.
A packed house greets the West Edge Opera’s concert performance of Rossini’s early opera, Elizabeth, Queen of England; rarely performed, but well-done here.