The Dutch conductor’s work with the San Francisco Symphony leads to remarkable results.
The Inuit throat singer brings emotional depth to the landmark 1922 documentary.
It takes an orchestra as good as Philharmonia Baroque and a soloist like Rachel Podger to showcase Vivaldi’s protean imagination.
As a sampling of Switchboard’s genre-blurring monthly “new music” series, the lineup for the March edition in the Tenderloin was perfectly eclectic.
The power couple of chamber music played and breathe as one in this recital.
The composer Thomas Adès did not impress SFCV's reviewer any more than the conductor Adès did.
Touring behind the release of 1865, their last album together, Anonymous 4 focused on a classic repertoire of American song.
A suite by Edvard Grieg was the surprise highlight of a lively concert.
In the second production of its inaugural season, Eileen Meredith's company delivered a well-cast double bill.
The new music festival brought back artists from its previous 20 years, all of them impressively creative still.
