New arrangements refresh Wagner’s Wesendonck Lieder and Mahler’s Rückert-Lieder.
In a far-ranging program that covered music from the 1400s to the present, the violinist accompanied the ensemble on five pieces as part of a new program called SFCA+1.
Mozart's brilliant opera provided needed comic relief at the War Memorial Opera House.
Beethoven’s Mass becomes a staged multi-media experience, complete with light show and wandering soloists.
The premiere of Marco Tutino's new opera delivered neo-Puccini without the punch or musical power.
Dog Days takes Los Angeles Opera into the heart of post-apocalyptic darkness.
The trio, adjusting to a personnel change for the performance, brought interpretative daring to a performance of Beethoven trios.
Berlioz’s grandest of grand operas makes it to the War Memorial Opera House in a production that scores points on every level.
The festival brings 300 Bay Area dancers and musicians representing a wide array of cultures to the Palace of the Fine Arts.
The soprano’s performance of Arianna a Naxos lights up the room after an opening plagued with intonation and communication issues.
