The premiere of one of the first Fifty for the Future Commissions highlighted the final night of the Kronos Quartet’s second annual festival.
The orchestra welcomed fortepianist Kristian Bezuidenhout as soloist in an all-Mozart program.
Daniel Hope joined the orchestra as guest concertmaster and principal soloist in a tribute to his mentor.
Mariana Sadovska joined Kronos in a riveting performance of her Chernobyl.The Harvest, new music that, at last, took some risks.
Messiaen asks the orchestra to move us toward the infinite in Des Canyons aux étoiles.
The composer’s early piano sonata and an Andrew Imbrie’s Earplay Fantasy dominated the proceedings.
The greats and not-so-greats of 17th-century Vienna get a hearing thanks to the Quicksilver ensemble.
The Ives Quartet has morphed into the Ives Collective, which began 2016 with Messiaen’s Quartet for the End of Time
The singer-songwriter/composer joined string quartet Brooklyn Rider for a different kind of Schubertiade.
Liam Scarlett’s latest ballet goes exuberantly “street,” and Mark Morris’ “Drink to Me Only ...” makes a welcome return.
