Reviews

Rebecca Wishnia - April 28, 2016

The violinist's recital featured Bach and a brand-new, Bach-inspired partita.

Niels Swinkels - April 26, 2016

Despite the large forces arrayed for the Easter and Ascension Oratorios, Jeffrey Thomas and his musicians achieve chamber music-like clarity and unforced communication.

Joe Cadagin - April 25, 2016

The new-music ensemble takes the audience on a sonic trip with Fausto Romitelli’s eerie video opera at the Freight and Salvage.

Steven Winn - April 18, 2016

New Opera NYC’s Julia Lima and Viktor Antipenko are thrilling in Tchaikovsky one-act opera.

Rebecca Wishnia - April 18, 2016

The violinist and the video artist team up for a Bach-plus-video performance that was intriguingly different from other classical-plus-video projects.

Niels Swinkels - April 13, 2016

The orchestra’s intimate connection with the works of Mahler continues to inspire.

Lisa Hirsch - April 13, 2016

The early music ensemble delivers an earthy, thrilling program exploring the relationship of the sensual and the spiritual in Renaissance vocal music.

Ilana Walder-Biesanz - April 11, 2016

A young, period performance company wraps up Handel’s Orlando furioso trilogy.

Jason Victor Serinus - April 11, 2016

The soprano is a force to be reckoned with in art song, a communicative and soulful singer.

Janice Berman - April 11, 2016

Justin Peck's dazzling choreography, and Sufjan Stevens' now-classic score The BQE provide a winning hand In the Countenance of Kings.