Joshua Roman reinforces his reputation with a masterful reading of Bates’ Cello Concerto.
S.F. Ballet’s resident choreographer delivers a new work revisiting the Russian Revolution.
Choreographer Jiří Bubeníček adds another remarkable, new work to the company’s repertory.
The close connection between violinist and conductor made for an electrifying concerto performance.
Stephen Eddins’s adaptation of a Eudora Welty story is the highlight of a strong program of works in progress.
A linguistic theme permeated great performances highlighting the work of two Stanford faculty composers.
Excerpts proved the rule at the latest set, hosted by composer Mason Bates and conductor Edwin Outwater.
The chamber ensemble played with fire and grace on works from Handel, Bach, and Rameau.
Missy Mazzoli’s Breaking the Waves and M. Lamar’s Funeral Doom Spiritual tackle uncomfortable subjects, uncompromisingly — and make powerful art out of them.
Yves Klein’s Monotone-Silence Symphony only appears to be off-the-wall experimental. Actually, it’s a modest experiment and a captivating experience
