It’s an unusual mix of instruments, but Ensemble Mise-En makes it work.
Choreographer Annabelle Lopez Ochoa’s dance version of the Tennessee Williams classic pulls no punches.
Brilliant vocal soloists and solid playing from a group of new faces in the ABS orchestra enlivened Handel's oratorio.
California Symphony contrasted Visconti’s lyrical concerto with big-boned, dramatic works.
Charles Dutoit elicited powerful, emotional music from an augmented S.F. Symphony.
Bass Denis Sedov and the Bay Area Men’s Chorus collaborate in Shostakovich’s masterful setting of Yevgeny Yevtushenko’s Holocaust epic.
The solo cellist presented strong works by Augusta Thomas Read, Missy Mazzoli, Anna Clyne, and Gity Razaz.
One of Richard Strauss’s less-performed symphonic poems pairs with Igor Levit’s masterful Schumann performance.
The trio’s peerless musicianship and their unusual combination of cello, bass, and mandolin result in fresh interpretations of classic material.
The intrepid ensemble explores the fringes of music and the universe with a world premiere and three recent compositions.
