Reviews

Ken Iisaka - April 2, 2019

Making the difficult seem easy is what the pianist does best, as his Davies Hall recital demonstrated.

David Bratman - April 2, 2019

The U.S. premiere of a Samuel Adams concerto grosso highlights a gentle concert.

Ken Iisaka - April 2, 2019

Juxtaposing the composer’s early and late styles made for effective contrasts as well as interesting interpretive choices.

Joe Cadagin - April 2, 2019

Kaminsky’s strong music is the focal point of Opera Parallèle’s world-premiere production.

Tysen Dauer - April 2, 2019

Two contemporary composers obliterate preconceptions about music and the objects – and people – making it.

Brin Solomon - April 2, 2019

Two experimental artists in their first collaboration make a challenging, surprising piece.

Janice Berman - April 1, 2019

Liam Scarlett’s Isle of the Dead is forceful and virtuosic in its world premiere.

Steven Winn - April 1, 2019

Ragnar Bohlin elicits the raw urgency Bach’s masterwork requires.

Steve Osborn - April 1, 2019

The unusual pairing of violin and guitar works out with two virtuosi sharing the Weill Hall stage at the Green Music Center.

Janice Berman - March 29, 2019

Brilliant dancing isn’t enough to rescue S.F Ballet’s world premiere of a new Yuri Possokhov work.