An updated production draws clear parallels between the opera’s action and recent politics.
Soprano Sara LeMesh is extraordinary in this gripping production of Missy Mazzoli’s adaptation of the Lars von Trier film.
The composer’s work, based on a women’s vocal tradition of Hunan Province, dominates the festival’s Saturday concert.
The L.A.-based Sonic Open Orchestra presents a concert of pleasing contradictions.
A Brooklyn record label showcases cutting-edge artists for three days at the Outhaus in Los Angeles.
Traditional Persian, Hungarian, American, and Japanese instruments and idioms inspire inventive new music.
American Bach Soloists perform a version of the beloved score recently discovered in Lyon.
Jack Curtis Dubowsky’s original score accompanies a Douglas Fairbanks silent classic in live performance.
A fresh, nonbinary take on Gluck’s opera eschews easy resolutions.
Music from the 1990s shows its age in Music@Menlo’s final festival concert of 2019.
