The Adlers’ annual concert highlights emerging opera talents, including standout Canadian soprano Olivia Smith.
The orchestra, joined by tenor Andrew Staples, gives its first performances of this rather underrated 1958 song cycle.
The ensemble arrives at SF Performances with a program centered around the creative struggles of Haydn, Dvořák, and Shostakovich.
Orchestra and conductor take a crack at Edward Elgar’s Enigma Variations, while pianist Conrad Tao solos in Tchaikovsky.
This revival of Charles Gounod’s audience favorite is eye-catching as ever, and soprano Amina Edris is a standout Juliet.
An “introductory” first half, featuring works by Benjamin Britten and Mason Bates, nicely sets up a Brahms symphony on the second.
The little-known mid-20th-century Russian composer gets the spotlight in an unusual concert from Other Minds.
Acclaimed director Mary Zimmerman has adapted the classic opera in a production of captivating charm that feels both familiar and fresh.
The conservatory’s head of conducting studies draws a poised performance from these student musicians.
The ensemble has partnered with the de Young Museum for this season’s commissioning project, blending music and visuals with intriguing results.
