Previews

Michael Zwiebach - March 22, 2011

Wieland Kuijken, one of the most respected and revered players and teachers in the early music world,comes to the Bay Area for three performances.

Michael Zwiebach - March 22, 2011

The choral concerts keep coming: One of the most promising this weekend will be the small men's group, Clerestory.

Robert P. Commanday - March 22, 2011

The noted Bay Area composer Andrew Imbrie, who would have turned 90 this year, will be celebrated with a series of concerts, a symposium, and a display of his collected scores and manuscripts.

Jeff Kaliss - March 21, 2011

Five Bay Area composers spent 15 months scaling down Stravinsky’s huge Rite of Spring for the S.F. Chamber Orchestra. Excitement promises to ensue in April performances.

Brett Campbell - March 21, 2011

Popular British composer Roxanna Panufnik has composed a section of Chanticleer’s new musical tale about the young Jesus, The Boy Whose Father Was God, set for four Bay Area performances.

Michael Zwiebach - March 16, 2011

The guitar virtuosi Susana Prieto and Alexis Muzurakis have spent the last 12 years together as Duo Melis. Their upcoming appearance in San Francisco should not be missed.

Michael Zwiebach - March 16, 2011

Cellist Tanya Tomkins completes the cycle of Bach's cello suites this weekend in concerts sponsored by Voices of Music. Historically-informed practice aside, Tomkins' urgent, impassioned playing is a great match for these pieces.

Michael Zwiebach - March 15, 2011

Last year's Persian concert at Oakland East Bay Symphony was so successful that they're at it again, and bringing back piano soloist Tara Kamangar, who scored with the audience last year.

Michael Zwiebach - March 15, 2011

Of the two major pianists visiting San Francisco this weekend, Di Wu may be the less well known, but she was a finalist at the Van Cliburn Competition last year, showing that she has technique to burn.

Brett Campbell - March 15, 2011

Cappella Romana has become the premier exponent and explorer of the musical traditions of Byzantium and other early Christian music. An upcoming concert showcases that expertise, before a return to Stanford to begin a research project aiming to re-create the acoustics of ancient Byzantine churches.