Previews

The violinist brings her four-part project to San Francisco with a diverse group of composers.

Tarek Atoui’s MATRIX 258 project aims to introduce a new way of “hearing” music.

The city of Los Angeles costars in a new opera from the company that created Invisible Cities.

The annual event, which celebrates the diversity of the Bay Area musical community, examines Asian-American jazz for this year’s “Field Report.”

Company C Ballet tries out a seasonal piece for the Day of the Dead, the first of several full-length pieces to come.

The chorus and early music ensemble will collaborate in two performances Oct. 30 and Nov. 1 of music mostly written by female composers in 17th-century Italian convents.

Hitting S.F. this week, Mason Bates’ immersive classical/electronica mix is catalyzing new audiences.

SFCV talks with Bolívar Orchestra concertmaster Alejandro Carreño about the upcoming residency and performances as well as the importance of music for children everywhere.

The company’s inaugural production runs September 18-19 at Stage Werx, a 70-seat venue in San Francisco’s Mission District.

Co-founder, Michael Adams, says when it comes to programming a festival, you have to know what your audience likes.