Previews

Jeff Kaliss - July 21, 2009
The music of the Grateful Dead, arguably rock ’n’ roll’s first jam band, is staging a second coming, in symphonic garb, in the land where the band began, 44 years ago. Composer Lee Johnson’s Dead Symphony No. 6, based on the Dead canon, will be showcased on Aug. 9, the third day of the Cabrillo Festival of Contemporary Music in Santa Cruz.
Janos Gereben - July 20, 2009
Chronologically and in many other ways, it’s a long way from Felix Mendelssohn (1809-1847) to Pierre Jalbert (born in 1967), but Music at Menlo will bring the two together.
Michael Zwiebach - July 14, 2009
The Midsummer Mozart Festival is coming to a concert venue near you. First up is the absolutely delightful Concerto for Two Pianos, K. 365, a flute concerto, and the exciting "Haffner" Symphony, No. 35. As always the orchestra travels so you don't have to — from Santa Clara to San Francisco to Sonoma.
Michael Zwiebach - July 14, 2009
The opening program of the Carmel Bach Festival is a performance of Joseph Haydn's magnificent oratorio, The Creation. From its famous depiction of Chaos through to the uplifting final chorus, "The heavens are telling the glory of God," this is a worthy successor to Handel's great English oratorios.
Michael Zwiebach - July 14, 2009
Bugs on Broadway
If you're a classic cartoon buff, don't miss Bugs on Broadway, part of the San Francisco Symphony's Summer and the Symphony series.
Michael Zwiebach - July 14, 2009
Rent Romus
The rebellious souls among us already know where to go for real “alternative” music — music that mixes genres or cultural traditions, or that uses nontrad
Lisa Petrie - July 13, 2009
The number of talented young singers in the Bay Area is about to increase exponentially, as the Golden Gate International Children’s and Youth Choral
Piedmont East Bay Childr
Janos Gereben - July 6, 2009
Most “one-opera composers” are not. They are known for a single work in the theater, but it’s not for lack of trying.
Steven Winn - June 30, 2009
David Gordon
“We’re having a lot of fun down here,” says David Gordon, dramaturge of the Carmel Bach Festival.
Jason Victor Serinus - June 29, 2009
How would classical music have evolved in the last century had not the Holocaust robbed us of some of our greatest composers? That is but one of the questions that preoccupied Susan Waterfall, cofounder of the Mendocino Music Festival, as she prepared for the festival’s July 16 evening program, They Left a Light: Masterpieces From Nazi Prison Camps.