Previews

Jeff Kaliss - January 19, 2010
Flautist Tadeu Coelho is finding, on his group’s first tour of the U.S., that American musical palates are pleased by a healthy mix of genres. He believes that his fellow Brazilians are endemically suited to serving up eclecticism.

“It has to do with our heritage,” Coelho points out. “We are a very mixed population, from African, European, Japanese, and native Indian.

Janos Gereben - January 18, 2010

Going back about six decades now, there were Alan Watts in Marin and the American Academy of Asian Studies in San Francisco, the pioneering Esalen Institute in Big Sur, Lou Harrison’s gamelan works from San José and Santa Cruz, Berkeley’s Center for World Music, and countless others.

Michael Zwiebach - January 13, 2010

Jazz pianist Taylor Eigsti has made a name for himself with his own music, and is well-known to Bay Area jazz lovers. Peninsula Symphony subscribers heard him with the orchestra two years ago, and now have the chance to meet him again, as he and Mitchell Sardou Klein's orchestra tackle three great Gershwin scores: Rhapsody in Blue, Cuban Overture, and Porgy and Bess Symphonic Suite.

Michael Zwiebach - January 13, 2010

The oboe is not the easiest instrument to play under the best of circumstances. So deciding to play Baroque and classical oboes, the less-techologically advantaged forerunners of the modern instrument might seem like a recipe for frustration akin to attempting to surf the internet with a 1980s-era personal computer.

Michael Zwiebach - January 13, 2010

Of the many big names in postwar modernist composition, György Ligeti stands out because his music retains the power to influence and inspire young musicians. The new music group sfSound acknowledges this status in their upcoming concert. Ligeti's glittering Chamber Concerto is the focal point, with a number of musicians from the Bay Area composing short works in response to it.

Joseph Sargent - January 12, 2010
Major anniversaries of a famous composer’s birth or death often occasion great fanfare, yet such honors are seldom accorded the anniversary of the publication of an individual piece.
Marianne Lipanovich - January 12, 2010
It’s play time for the Ives Quartet. This time, in the second of its three-concert series titled “The Nature of Playing,” the Ives will explore how to play well with others.

Not that that’s really a problem; ensemble playing is not exactly a sand box. “Playing,” in all senses of the word, is something the quartet already does well.

Jaime Robles - January 12, 2010
Old First Concerts on Jan. 24 will do what it does best: promote talented, emerging young musicians, when it presents pianist Elizabeth Dorman in chamber concert with cellist Robert Howard and violinist Dan Carlson.
Jeff Dunn - January 11, 2010
Charles Ives and Henry Brant take on
Emerson, Alcott, Thoreau, and Hawthorne
Lisa Petrie - January 10, 2010
Composers and directors often combine art forms in their quest for artistic expression and interesting programming. Pairing music and dance, or music with a visual element, spices up a concert. Yet the California Symphony’s concert on Jan.