Previews

Michael Zwiebach - April 20, 2010

Nadja Salerno-Sonnenberg, the music director of New Century Chamber Orchestra, has made it clear that she doesn’t want her orchestra pigeonholed. So when she signed up her pal William Bolcom to be the orchestra’s featured composer this year, she gave him the widest latitude possible in his commissioned piece.

Lisa Petrie - April 19, 2010

One Art Ensemble turns one year old this month, giving it reason to celebrate. The ensemble — soprano Ann Moss, pianist Hillary Nordwell, and violist Alexa Beattie — has everything going for it: talent, youth, musicality, and the ensemble chops it has developed in various configurations together since 2004.

Jeff Kaliss - April 19, 2010

Take a closer listen, and you’ll realize that the Crowden School in Berkeley isn’t the limited classical academy that you might imagine it to be.

Michael Zwiebach - April 14, 2010

Long before the euphoria of their triumphant march through Haydn's string quartet legacy had evaporated, the New Esterházy Quartet were planning new adventures. Now comes the first in a series of concerts centered on works that were inspired by Haydn and — no surprise — the first calling card will be dropped by Amadeus himself.

Michael Zwiebach - April 13, 2010

Concerto Köln belongs to that rare breed of early-music bands that can make a beloved favorite sound remarkably fresh. Handel fans, for instance, may know them as the orchestra for Harmonia Mundi’s 1991 recording of Giulio Cesare with Jennifer Larmore and Barbara Schlick, still the pacesetter on that front.

Lisa Houston - April 13, 2010

Music at Kohl is now in its 27th season of presenting music and musical education in the South Bay. The current year’s program includes performances by such well-known ensembles as the Borealis String Quartet, the Ives Quartet, and the Philharmonia Baroque Chamber Players.

Ken Bullock - April 13, 2010

“With the possible exception of the ‘1812 Overture,’ I can’t think of any piece of music as tied to a specific year as Claudio Monteverdi’s 1610 Vespers,” said Warren Stewart, artistic director of Magnificat, the vocal and instrumental ensemble that specializes in the early Baroque.

Jason Victor Serinus - April 8, 2010

Forty-nine minutes into our chat about the San Francisco Symphony Chorus’ Spring Concert, Music Director Ragnar Bohlin addresses what makes him tick.

Lisa Houston - April 8, 2010

Compared to Madama Butterfly and La Bohème, Puccini’s La rondine (The swallow), which premiered in 1917, is certainly a less-performed work, though it can hardly be called obscure.

Jonathan Rhodes Lee - April 8, 2010

If you enjoy being dazzled by virtuoso musical fireworks, then the upcoming program by the American Bach Soloists is surely designed with you in mind.