SFCV’s perceptive writers report on topics relevant to opera. Preview With Care Blurs the Boundaries Between Movement and Music Lily O'Brien - October 25, 2018 MacArthur “genius” grant winner Matthew Aucoin and his new opera company visit ODC Theater in San Francisco. Review Plácido Domingo Never Ceases to Amaze Steven Winn - October 23, 2018 Going strong at 77, the Spanish singer finds powerful, fresh expression in concert with two rising stars and the S.F. Opera Orchestra. Review Satyagraha at L.A. Opera: Timelier Than It’s Ever Been Jim Farber - October 23, 2018 Philip Glass’s portrait of Gandhi’s early career is vital and suggestive in the celebrated production by Phelim McDermott and Julian Crouch. Review S.F. Opera’s Arabella Plays It Safe Joe Cadagin - October 19, 2018 A straightforward production of Richard Strauss’s beautiful score. Feature Letter From Paris: The Opéra National de Paris Celebrates 350 Years in Style Lisa Hirsch - October 16, 2018 The venerable institution is vital and current, as a week of performances demonstrates. Review West Bay Opera Hits a High Mark With La Bohème Ilana Walder-Biesanz - October 16, 2018 Julie Adams is terrific as Mimi, and a relaxed, modern setting sets the stage for great singing and playing throughout. Review Opera Parallèle’s In the Penal Colony Highlights Philip Glass’s Days and Nights Festival Tysen Dauer - October 9, 2018 The music shines through in this bare-bones production of a lesser-known Glass opera. Feature Phelim McDermott’s Dare: Philip Glass’s Satyagraha Comes to L.A. Opera Jim Farber - October 8, 2018 Glass’s second-most-improbable opera will be seen in the famous staging that cemented the show in the international repertory. Review Forceful Lovers Lead S.F. Opera’s Tosca Steven Winn - October 5, 2018 The potent singing combination of Carmen Giannattasio and Brian Jagde distinguish this production. Review Letter From London: There Will Be Blood in English National Opera’s Salome Jason Victor Serinus - October 2, 2018 A boldly directed vision of Richard Strauss’s biggest hit reframes the opera. Pagination « First First page ‹ Previous Previous page … 77 78 79 80 81 82 83 84 85 … Next › Next page Last » Last page