Opera

SFCV’s perceptive writers report on topics relevant to opera.

Emily Wilson - July 29, 2024

The company is betting on Bulrusher, Eisa Davis’s Pulitzer Prize-nominated play as set by composer Nathaniel Stookey.

Jim Farber - July 23, 2024

The psychedelic homage to West Coast iconoclast Pauline Oliveros is absorbing but missing some key components of her legacy.

Jeff Kaliss - July 23, 2024

A lieder recital by soprano Lisa Delan is followed by a concert featuring the up-and-coming Manetti Shrem Opera Fellows.

Tom Jacobs - July 16, 2024

The 2024–2025 class of the Domingo-Colburn-Stein Young Artist Program is a diverse and talented group.

Janos Gereben - July 16, 2024

The latest talented group of Merolini, on their way to stardom, wows an appreciative audience.

Jason Victor Serinus - July 2, 2024

The opera here sports a powerful cast and Mark Elder conducting a fully committed London Symphony Orchestra.

Richard S. Ginell - July 1, 2024

This version of the opera, captured in concerts with the LA Phil last year, improves on any live performance.

Victoria Looseleaf - July 1, 2024

The Walnut Creek company is staging Francis Poulenc’s La voix humaine in dialogue with Henry Purcell’s Dido and Aeneas.

Nicholas Jones - June 25, 2024

Christopher Alden’s witty production is matched with brilliant singing and acting in this top-notch staging.

Janos Gereben - June 24, 2024

Expect the usual innovative approaches to subject matter and staging, especially in the long-awaited new production of Harvey Milk.