In San Francisco Opera’s understudy room, a sense of camaraderie and good humor prevails, as singers watch a production they’ve prepared to perform, but which will go on without them.
Yuja Wang’s flying fingers and flamboyance may define her public image, but there’s a powerful musical personality and a surprisingly grounded person within that package, as she reveals here.
Is classical music criticism a mortally endangered art form? Top critics at the Rubin Institute for Music Criticism say itʼs actually in a golden age, in some respects. Read the report to find out why.