Features

The setting is as monumental as it is humbling.

I had to look up the date, but the scene itself is still clear in my mind after so many years.

Every year, as May turns to June, arts communities recognize the rites of summer with festival concert series.

Lynn Harrell is one vital man. In the middle of an extended phone conversation about his forthcoming S.F. Jazz gig — he plays J.S. Bach’s complete Suites for Solo Cello this Thursday and Friday night in Grace Cathedral — the voice of a child punctuates the proceedings.

It’s fitting that Ruth Ann Swenson should celebrate the 25th anniversary of her operatic debut with a return to San Francisco Opera. The soprano’s illustrious career, which has taken her to opera houses around the world, got its start here with the company she calls “home.” This month, the company plans to honor Swenson in style. In a special ceremony on July 6, S.F.

Leif Ove Andsnes is a pianist with an enormous repertory, ranging from classics to many contemporary composers, so you might presume that performing the Brahms Piano Concerto No. 2 in B-flat Major Op.

Like all great children’s books, The Little Prince has always had something to say to adults.

Like all great children’s books, The Little Prince has always had something to say to adults.

It’s not that unusual, not anymore, for a ballet company to commission a dance from a modern choreographer.

Kate Royal is on the move. The soprano, who comes to Cal Performances April 13 as part of her first U.S. recital tour, is getting a serious taste of life on the road. Our first attempt at a phone interview hits a glitch — due to a scheduling change.