Finding inspiration in history and pop culture, composer Michael Daugherty launches a new work for strings, provoked by Frank Lloyd Wright’s architectural style.
Marc-André Hamelin is in a series of residencies and starts a tour with the Pacifica Quartet in S.F. Here, he talks about music and the mystery and miracle that is human creativity.
When playing Mozart works, pianist Jeremy Denk finds himself fascinated with the boundary he crosses between light and dark, but always follows their beauty and wonder.
Before his appearance at the S.F. Opera to sing the Dutchman, bass-baritone Greer Grimsley reflects on one of his most-beloved roles, as a cursed man who will never give up.
Greatly preferring performing live to recording, pianist András Schiff reflects on his love of Bach and Beethoven and discusses pedaling, music memory, and historical performance.
It has been an eventful couple of years for bass-baritone Bryn Terfel, professionally and personally. Now, he is back at the S.F. Opera for the first time in over a decade, in one of his signature roles, Verdi’s Falstaff.
After successfully rebounding from colon cancer in 2010 and an embolism in July of this year, 72-year-old Plácido Domingo has proven that you can't keep a good tenor down.
