Artistic Director Anne K. Hege wants her singers to investigate the breadth of human emotions in their winter concert.
Errollyn Wallen’s new opera, given its American premiere by Philharmonia Baroque Orchestra, extends Purcell’s Dido and Aeneas.
You may not have heard of them all, but there’s significant accomplishment within this circle of Black musicians.
Ahead of her California performances this week, the soprano chats about how she connects with a song — and an audience.
The Brazilian singer who has long been based in the Bay Area reunites with some of her musical compatriots.
The collaborative work involves L.A.’s recent poet laureate, composer Sarah Hennies, and a women’s whistling group.
Ray has long been one of Los Angeles’ go-to contemporary musicians, and she delights in any piece that stretches her as a performer.
Fayetteville, North Carolina, is the setting for Rhiannon Giddens and Michael Abels’s Pulitzer Prize-winning opera — and where Raven grew up.
The unpredictable composer and arranger appears on the West Coast with her curiously mixed ensemble, m_unit.
In California for concerts this month, Chan speaks about her path to the podium and the challenges faced by women conductors.
