Paul Huang and Danbi Um share a program for Chamber Music San Francisco, collaborating on a rarely played piece by Moritz Moszkowski.
Chamber-scored morsels of the composer’s operas and the early string quartet Arcadiana highlight the program.
The pianist is an extraordinary musician, but part of that stems from his unique outlook, which has facets that are political and philosophical.
In Fragments, the acclaimed cellist asks audiences to abandon preconceived notions about contemporary compositions and concert culture.
In a new series, the KDFC/KUSC resident artist continues to cover underrepresented composers and the history that makes American music so rich.
