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Meyer, violinist Tessa Lark, and cellist Joshua Roman perform three of the bassist’s crossover compositions in advance of recording them.

Kedrick Armstrong conducts his first concert as music director, featuring jazz artists with Bay Area ties and Carl Nielsen’s Symphony No. 4.

After a five-year closure, Biscuits and Blues is in business again and hoping to bring audiences back with a community celebration.

Dancing plays a prominent role in this production, whose revival marks McNamee’s directorial debut with the company.

Poet and activist Marc Bamuthi Joseph is reimagining Saint-Saëns’ suite with the help of dancers Wendy Whelan and Francesca Harper.

The orchestra has launched the latest version of SFSKids.org, which has seen more than 5 million logins since debuting in 2002.

The welcome news that Eun Sun Kim is now set to lead the company through 2031 comes at an otherwise tense time for the organization.

Cann, who debuts with the SF Symphony this week, talks about discovering Price and jazzing Rhapsody in Blue.

Richard Wagner’s epic of love and death comes to glorious life in a dramatically sung production led by Music Director Eun Sun Kim.

In his own composition, the conductor turns the spotlight on the orchestra’s recently appointed principal cello, Rainer Eudeikis.