San Francisco

Audiences like comedy. Opera companies like comedy. So what’s the problem?

Soprano Amina Edris will create the role originally intended for Julia Bullock, who’s expecting her first child this fall.

Checking in with Tim Yip on his inspirations for the opera’s lavish set and costume design.

The perennial favorite is part of SFO’s multiyear presentation of three Mozart/Lorenzo Da Ponte works set in the same house during different eras.  

Peter Wing Healey’s opera takes inspiration from Jane Jacobs’s ideas about city-building, a Shinto myth, and even Marie Antoinette’s fabled oak.

The downhome diva talks with SFCV about the challenges of mastering the title role in Verdi’s timeless opera and why it’s still relevant today.

The group’s performances this weekend are dedicated to local composer and longtime supporter Aurelio de la Vega.

Based on Pushkin’s tale of love and obsession, The Queen of Spades hasn’t had a Bay Area performance since 2007.

The famed choreographer unveils a new collaborative work at YBCA May 13–22. It’s another opportunity for seeking truth, he says.

The composer/pianist/singer teams up with electronic musician Sam Pluta to explore the intersection of music and text.