Janos Gereben

Among my umpteen Merola Program closing concerts — all memorable in various ways — Saturday’s was one of the most enjoyable. Programmed, directed, and performed with care and effectiveness, this was what opera doesn’t always manage to be: delightful entertainment.

Once upon a time, six long years ago, there was a little opera company in Berkeley tackling a huge project, called the Legend of the Ring, making waves far and wide. And now, on Saturday, here was a little company again, taking up the same challenge: David Seaman’s condensation of Richard Wagner’s four-opera, 15-hour Der Ring des Nibelungen cycle into a four-hour evening, including a single intermission.

When Eleazar Rodriguez sang Fenton's aria from Nicolai's The Merry Wives of Windsor Friday at Herbst Theatre, I experienced a multiple déjà vu.

This was the opening concert of the Merola Program Class of 2010, but I was brought back to a similar occasion 12 years ago; listening to Charles Castronovo for the first time.