Faliks talks about her memoir, Weight in the Fingertips, and her new album, Manuscripts Don’t Burn — the subjects of her current tour.
Gemma New leads a standout performance that sees Pablo Ferrández soloing in Edward Elgar’s Cello Concerto.
The new executive, who comes to Los Angeles from the Dallas Symphony, ticks all the boxes.
Ryan Bancroft will lead the SF Symphony in Alaraph, Chin’s new piece inspired by the phenomenon of heartbeat stars.
Glennie has paved a remarkable path — as a soloist, as a deaf performer, and as an advocate for connection above all else.
The South Korean conductor chats with SFCV about success, perseverance, and knowing when to take a chance.
The composer’s rarely performed Credo shares a concert with works by J.S. Bach and a premiere by Zanaida Stewart Robles.
A quirky contemporary double bill from Opera Parallèle serves up both laughs and emotionally powerful moments.
As Flora, mezzo-soprano Sarah Saturnino, one of the company’s young artists, brings her background as an intimacy director to the production.
The pioneering conductor chats with SFCV ahead of her long-overdue debut at the Metropolitan Opera this spring.